1922
Separates from Daisy. Moves to Chicago in August to play second cornet in the band of Joe Oliver, now nicknamed ”King“ Oliver.
One of the first Armstrong recordings, reissued on a 78 rpm Brunswick disc
1923
Makes his first recordings on April 5th at the Gennett Studios in Richmond, Indiana, as a member of King Oliver’s Creole Jazz Band. The band also records for Paramount, Columbia and Okeh.
The Fletcher Henderson Orchestra, c. 1924
1924
Marries Lil Hardin, the pianist in the King Oliver’s Creole Jazz Band on February 5th. Moves to New York City in September to join the Fletcher Henderson Orchestra at the Roseland Ballroom. Records with Henderson, with Sidney Bechet, and with several blues singers, including Sippie Wallace, Clara Smith, and Ma Rainey.
The Hot Five: Louis Armstrong, Johnny St. Cyr, Warren "Baby" Dodds, Kid Ory, and Lil Hardin Armstrong, c. 1925.
1925
Records with blues singer Bessie Smith, and Clarence Williams, among others. In November, quits Fletcher Henderson and returns to Chicago. Billed at the Dreamland Café as “The World’s Greatest Jazz Cornetist.” On November 12th, Louis makes his first recordings as a leader of his own group, Louis Armstrong and His Hot Five.
1925-1928
Performs with Erskine Tate at the Vendome Theatre. Continues to record with the Hot Five (and with the Hot Seven in May, 1927). Performs at the Sunset Café with the Carroll Dickerson Orchestra. Meets Joe Glaser (who will later become Louis’s manager). Briefly leads a band, Louis Armstrong and His Stompers, at the Sunset Café. Records “West End Blues” on June 28, 1928, which is today considered one of the most famous recordings in early jazz.
1929
Moves to New York City. Performs at Connie’s Inn with the Carroll Dickerson Orchestra. Appears in the Broadway show, Hot Chocolates. Tommy Rockwell becomes Louis’s manager. Records “Ain’t Misbehavin’” and “I Can’t Give You Anything but Love.”