The current exhibit, Satchmo's Stuff: Highlights from the Museum Collection, will be on view through 2011 when our new Visitors Center, complete with a brand new state-of-the-art exhibit area, will open across the street from the Museum. Satchmo's Stuff features the best and most interesting artifacts from our Collections, including Armstrong's gold-plated trumpet, manuscripts, photos, clothing, and a sample of some of the collage work that Louis created in his spare time. The exhibit can be viewed before or after your historic house tour, during our normal hours of operation.
In celebration of Louis Armstrong’s traditional birthday (July 4th, 1900), the museum stays open every 4th of July, and we offer 10% off in the Museum Store. Join the birthday celebration with free birthday cake, served in the Armstrong’s Japanese-inspired garden!
Held annually on the first Saturday in August to celebrate Louis Armstrong’s official birthday (August 4th, 1901). Enjoy a free, outdoor concert in the Armstrong’s beautiful garden. Includes complimentary entertainment and refreshments. House tours available at two-for-one admission.
In celebration of Louis’ traditional birthday, this free, outdoor jazz concert and block party sponsored by Jazzmobile kicks off every July in front of the Museum. Come hear world famous musicians as they entertain neighbors and jazz fans. Bring your dancing shoes! The exact date changes from year to year, so make sure you subscribe to e-Pops to be notified of the date.
Each February, the Museum celebrates the contributions of Louis Armstrong through innovative programs. Past programs included lectures on Armstrong’s musical genius, his pioneering for Civil Rights, and reverence for his local community despite his celebrity status around the world.
Pops is Tops, an annual concert series for local schoolchildren, is our longest running program. More than 1,600 kids from all over Queens gather in the Armstrong’s garden every May for jazz concerts by world famous musicians. By invitation only. Sponsored, in part, by public funds from the New York City Department of Cultural Affairs.
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